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Traces: Between Presence and Absence

Traces emerge with loss: the imprint of something that is no longer there. Through shaping, unshaping, and reassembling, I aim to explore memory and transformation

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I cast impressions of the human body in fabric, allowing them to harden before ripping them away. What remains is distorted and fragmented, then reassembled into new figurative bodies.

 

By way of making, I ask when a trace begins: in the moment of the rupture of separation, in its distortion, or later, when fragments are reshaped into a resemblance of what has been lost?

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“Traces: Between Presence and Absence” from “Home Away From Home” exhibition by Supersoft

Pandora Art Gallery, 2025, Berlin, Germany

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meaning

is

shaped

by

what

is

not

there

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Ege Dogan_Familiar but still Hurts (1)_e

Hard Outside, Paradox Inside

55x45x35cm, 2025

Layers of Hardened Fabric

Familiar but still Hurts

55x35x25cm, 2025

Layers of Hardened Fabric

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Without a Mirror

135x55x30cm, 2025

Layers of Hardened Fabric

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Weave Wait Watch

115x65x30cm, 2025

Layers of Hardened Fabric

Ege Dogan_Familiar but still Hurts (3)_e
Ege Dogan_Familiar but still Hurts (2)_e
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